Hi all:
You'll be happy to know Justin is doing better and we've resumed our work on the album's final track, Frozen In Time. Michael Leadingham has completed the artwork for the CD cover and it is breathtaking. It will be revealed soon. Our distribution agreement with ProgRock Records has been signed and we've been added to their website. A release date will be announced during the first half of July if all goes well. And the website has reopened. Look for our first official newsletter in the weeks ahead and join the mailing list if you haven't already.
Cheers;
Dave
www.davidminasian.com
Monday, June 21, 2010
Monday, June 7, 2010
Good News Bad News
A lot of things have happened this past week, some good and some not so good. I'll start with the bad news first. Poor Justin sadly dislocated his shoulder this past weekend which resulted in a painful trip to the hospital. Not only has our work on the album's final track been brought to a grinding halt, but Justin also had to cancel an important gig with another band he plays with. The reopening of our website has now been delayed as well. But he seems to be in good spirits and anxious to get back into things. Let's hope for a quick recovery.
On a brighter note, a face to face meeting last week with Shawn Gordon, President of ProgRock Records went extremely well and negotiations should be wrapped up shortly with a release date for the album soon to follow. Also, talented fantasy artist Michael Leadingham has been commissioned to paint an original piece of artwork for the CD cover and from the looks of things so far, it's going to be stunning!
Thank you all for your continued encouragement and support.
Best;
Dave
On a brighter note, a face to face meeting last week with Shawn Gordon, President of ProgRock Records went extremely well and negotiations should be wrapped up shortly with a release date for the album soon to follow. Also, talented fantasy artist Michael Leadingham has been commissioned to paint an original piece of artwork for the CD cover and from the looks of things so far, it's going to be stunning!
Thank you all for your continued encouragement and support.
Best;
Dave
Wednesday, May 26, 2010
Light At The End Of The Tunnel
It's been over a month since I posted anything. Things have been rather chaotic to say the least. Some of you have noticed that the website has been down for a few weeks. We're giving it a minor overhaul while we prepare for the album's completion and release. Once we reopen (which should hopefully be soon) you may want to take a look at something new on there called David's Guide to Random Acts of Beauty under the discography section, where I give a behind-the-scenes commentary on each of the album's tracks. I also explain the reason behind certain last minute song title changes and talk about a few tracks which didn't make the cut.
Following the posting of a brief audio excerpt from the track Masquerade on our website, we received numerous emails from Camel fans all over the world who were delighted to hear a preview of Andy's beautiful contributions to the track.
Justin and I are right now in the process of finishing up the album's final song, an epic joint composition which will likely end up being the album's longest track.
We're also scheduled to finalize a worldwide distribution deal next week, and we'll be organizing the CD's artwork, printing, and mastering very soon as well. So things are looking good. Hang in there...
All the best;
Dave
Following the posting of a brief audio excerpt from the track Masquerade on our website, we received numerous emails from Camel fans all over the world who were delighted to hear a preview of Andy's beautiful contributions to the track.
Justin and I are right now in the process of finishing up the album's final song, an epic joint composition which will likely end up being the album's longest track.
We're also scheduled to finalize a worldwide distribution deal next week, and we'll be organizing the CD's artwork, printing, and mastering very soon as well. So things are looking good. Hang in there...
All the best;
Dave
Tuesday, April 20, 2010
Another Busy Week
This last weekend yielded a mix of the 12 and a half minute track Masquerade featuring the wonderful guitars and vocals of Andy Latimer. I've sent a copy off to Andy to get his evaluation and have my fingers firmly crossed. We hope to put up some audio clips on the website in addition to MySpace and Facebook within the next few days.
Justin and I have one track to finish up - the epic instrumental which will in all likelyhood get a name change before we're through.
We continue to update the website with new things so check it out when you have some time. We hope to set up a mailing list shortly so you can be kept up to date on all the activities.
Best wishes to all of you, and thank you for your continued support.
Dave
www.davidminasian.com
Justin and I have one track to finish up - the epic instrumental which will in all likelyhood get a name change before we're through.
We continue to update the website with new things so check it out when you have some time. We hope to set up a mailing list shortly so you can be kept up to date on all the activities.
Best wishes to all of you, and thank you for your continued support.
Dave
www.davidminasian.com
Sunday, April 4, 2010
Stop The Presses
It's a beautiful sunny Easter afternoon here in California and we just had a 7.2 earthquake a few moments ago. We're a little shaken up (no pun intended... ok it was intended) but we're ok.
We should hopefully be mixing the nearly 13 minute epic Masquerade sometime next week and will be putting up some audio clips on the website soon thereafter. We're now aiming to complete the album sometime in May. If you have some extra time, you may wish to check out David Minasian Music on Facebook and become a 'fan'.
Cheers;
David Minasian
www.davidminasian.com
We should hopefully be mixing the nearly 13 minute epic Masquerade sometime next week and will be putting up some audio clips on the website soon thereafter. We're now aiming to complete the album sometime in May. If you have some extra time, you may wish to check out David Minasian Music on Facebook and become a 'fan'.
Cheers;
David Minasian
www.davidminasian.com
Monday, March 8, 2010
No Longer Untitled
A busy weekend in the studio has proven to be very fruitful. After a number of failed attempts at trying to mix the very complicated and highly over-produced (lol) Chambermaid, we finally succeeded and have added some clips to the website:
www.davidminasian.com
I also managed to finish the lyrics to the previously untitled track which shall now be known henceforth as Summer's End. Justin pulled out all stops on this one and came up with what has got to be one of the most amazing guitar solos in all of rock history. You can hear a brief segment for yourself at the website under the audio/visual link.
Andy Latimer mentioned that my moog solo (which can be heard on Panic Attack clip #1) reminded him of the late great Pete Bardens of Camel. Thanks for that, Andy!
I know that in my original post I stated that I thought we'd be finished by now, but things always seem to get in the way. But we're nearly there - 5 songs completely mixed and in the can and only two more to go. Shouldn't be long now...
Cheers;
Dave
www.davidminasian.com
I also managed to finish the lyrics to the previously untitled track which shall now be known henceforth as Summer's End. Justin pulled out all stops on this one and came up with what has got to be one of the most amazing guitar solos in all of rock history. You can hear a brief segment for yourself at the website under the audio/visual link.
Andy Latimer mentioned that my moog solo (which can be heard on Panic Attack clip #1) reminded him of the late great Pete Bardens of Camel. Thanks for that, Andy!
I know that in my original post I stated that I thought we'd be finished by now, but things always seem to get in the way. But we're nearly there - 5 songs completely mixed and in the can and only two more to go. Shouldn't be long now...
Cheers;
Dave
Saturday, February 13, 2010
The Website Is Up!
My son Justin has been pulling double duty as guitarist extraordinaire and website designer. The website is now up and running with a couple of soundclips. Check out:
www.davidminasian.com
Only a few things are working at the moment (Home, Bio, Blog, and Audio/Visual - which is where you can hear the samples)
Vampyre has been completed and mixed and once again Justin's powerful guitar leads are the highlight. You can hear a snippet of it on the sample, along with an excerpt of his gorgeous Blue Rain leads.
We're in the middle of recording the untitled track at the moment and if the past is any indication, I'll probably have the whole song finished sans vocals before I write the lyrics. This one's turning out very Floydish-Camelish-Moodyish-Crimsonish. In other words, very "Dave."
Cheers;
David Minasian
www.davidminasian.com
Only a few things are working at the moment (Home, Bio, Blog, and Audio/Visual - which is where you can hear the samples)
Vampyre has been completed and mixed and once again Justin's powerful guitar leads are the highlight. You can hear a snippet of it on the sample, along with an excerpt of his gorgeous Blue Rain leads.
We're in the middle of recording the untitled track at the moment and if the past is any indication, I'll probably have the whole song finished sans vocals before I write the lyrics. This one's turning out very Floydish-Camelish-Moodyish-Crimsonish. In other words, very "Dave."
Cheers;
David Minasian
Saturday, January 16, 2010
Guest Vocalist Revealed
Well, it's time to reveal the identity of the guest vocalist who was to have appeared on our album... It was none other than Justin Hayward of the Moody Blues. Unfortunately, he won't be appearing on the track Blue Rain due to scheduling conflicts. However, he did have some nice things to say about the song, a track which, even without his assistance, has wound up sounding eerily similar to something the Moody Blues themselves would have recorded around the time of Seventh Sojourn...
"It's a lovely song... The guitar solo sound is fabulous and it's a very Moody track. I'm sure it will be a great album for David." (Justin Hayward, January 7, 2010)
Although understandably disappointed, I was still very encouraged by Mr. Hayward's enthusiasm for my own vocals which will now grace the final version of the song instead of his...
"I don't think they need me anyway as I really like the feel of the vocal on there already." (Justin Hayward, January 7, 2010)
I think a lot of people besides myself would have loved to have heard Andy Latimer and Justin Hayward appear on the same album.
I have now completed the work I was scheduled to do on Camel's forthcoming DVD The Opening Farewell and will be heading back into the studio momentarily.
Best;
Dave
"It's a lovely song... The guitar solo sound is fabulous and it's a very Moody track. I'm sure it will be a great album for David." (Justin Hayward, January 7, 2010)
Although understandably disappointed, I was still very encouraged by Mr. Hayward's enthusiasm for my own vocals which will now grace the final version of the song instead of his...
"I don't think they need me anyway as I really like the feel of the vocal on there already." (Justin Hayward, January 7, 2010)
I think a lot of people besides myself would have loved to have heard Andy Latimer and Justin Hayward appear on the same album.
I have now completed the work I was scheduled to do on Camel's forthcoming DVD The Opening Farewell and will be heading back into the studio momentarily.
Best;
Dave
Thursday, December 31, 2009
What's In Store For The New Year
Hi all:
With this, my final post of 2009, I'd like to thank all of you who have been so encouraging to me since this project began. As Random Acts of Beauty (the album's tentative title) moves closer toward the finish line, I would like to especially thank legendary Camel guitarist/flautist/singer/keyboardist/composer Andy Latimer whose guidance and words of wisdom have been truly invaluable; along with my son Justin who continues to amaze me with his talent and sunny attitude; and brother-in-law Guy for his amazing drumming and state-of-the-art mixing studio. What 2010 holds remains to be seen but I have a feeling things could get rather exciting.
The instrumental Vampyre is now finished save for Justin's guitar leads. We will most likely mix that song along with the highly complex Chambermaid sometime next week which will bring the number of songs that are completely in the can to four (Blue Rain, Panic Attack, Chambermaid, and Vampyre). Masquerade is nearly complete but remains a work-in-progress to some degree.
We're going to take a short break while I concentrate on getting Camel's new DVD The Opening Farewell, which I am producing, ready for release. When we resume recording, we will begin tracking the new as yet untitled song which should (hopefully) turn out to be one of the album's highlights.
Hope you all have a healthy and exciting New Year!
Best;
David Minasian
With this, my final post of 2009, I'd like to thank all of you who have been so encouraging to me since this project began. As Random Acts of Beauty (the album's tentative title) moves closer toward the finish line, I would like to especially thank legendary Camel guitarist/flautist/singer/keyboardist/composer Andy Latimer whose guidance and words of wisdom have been truly invaluable; along with my son Justin who continues to amaze me with his talent and sunny attitude; and brother-in-law Guy for his amazing drumming and state-of-the-art mixing studio. What 2010 holds remains to be seen but I have a feeling things could get rather exciting.
The instrumental Vampyre is now finished save for Justin's guitar leads. We will most likely mix that song along with the highly complex Chambermaid sometime next week which will bring the number of songs that are completely in the can to four (Blue Rain, Panic Attack, Chambermaid, and Vampyre). Masquerade is nearly complete but remains a work-in-progress to some degree.
We're going to take a short break while I concentrate on getting Camel's new DVD The Opening Farewell, which I am producing, ready for release. When we resume recording, we will begin tracking the new as yet untitled song which should (hopefully) turn out to be one of the album's highlights.
Hope you all have a healthy and exciting New Year!
Best;
David Minasian
Monday, December 21, 2009
It's In The Mail
Another busy week. We did two final mixes this past weekend (Blue Rain and Panic Attack) and they sound great. I also sent Blue Rain off to our mystery vocalist this morning in the hopes that he'll want to sing it. Keep your fingers crossed. In the meantime, we've started tracking Vampyre and should have it finished this week.
Best;
Dave
Best;
Dave
Tuesday, December 15, 2009
More Reviews
Well, you are all in for a treat. I didn't think my son Justin could possibly surpass the guitar parts he'd already recorded for Chambermaid or Panic Attack. But his leads on Blue Rain simply blew me away with their intense beauty and emotion. Wow, who taught this guy how to play? Actually, as much as I would like to take credit for it, I can't - he's self taught. Nevertheless, between Justin's and Andy Latimer's contributions, lovers of emotional guitar leads are going to have a field day with this album.
I decided to get some feedback on our latest completed track and sent it halfway around the world to a good friend of mine in Scotland also named Dave. Dave owns millions of CD's (well... it seems that way) and knows just about everything there is to know about music (well... it seems that way). And I trust his opinion (well... oh, nevermind). Here's his reaction to Blue Rain which he posted on the Genesis forum last night...
"Well guys and gals, I have just had the pleasure of listening to a track from Dave Minasian's forthcoming album. The song is called Blue Rain and it's 7 and a half minutes of class. The song begins with a solo piano and then haunting oboes are introduced over a backdrop of lush synths very reminicent of Camel at their most symphonic. Then we enter into Moody Blues/Barclay James Harvest territory with John Lodge style hushed vocals over those gorgeous oboes. The track also reminds me somewhat of the Paul Cusick track Fade Away in the same symphonic style. Things pick up with drums and bass coming in during the next verse and there is no doubt the influence on this track from the aforementioned bands. Just when you think you have heard it all, in comes a lovely harpsichord which reminds me of Denis Quinn's excellent Open Secret and then a superb guitar solo that John Lees or Justin Hayward would be proud of. The piano comes in again and a final chorus and guitar reprise brings this superb song to a close.
If this is a taster of things to come then I cannot wait. I have heard some of David's older material but this is a big step up to my ears. I cannot thank him enough for allowing me to hear this song. All I can say is that this is shaping up to be something special if this song is an example of what is going on the album."
Thanks Dave from Scotland, we'll continue to do our best.
Cheers;
David Minasian
I decided to get some feedback on our latest completed track and sent it halfway around the world to a good friend of mine in Scotland also named Dave. Dave owns millions of CD's (well... it seems that way) and knows just about everything there is to know about music (well... it seems that way). And I trust his opinion (well... oh, nevermind). Here's his reaction to Blue Rain which he posted on the Genesis forum last night...
"Well guys and gals, I have just had the pleasure of listening to a track from Dave Minasian's forthcoming album. The song is called Blue Rain and it's 7 and a half minutes of class. The song begins with a solo piano and then haunting oboes are introduced over a backdrop of lush synths very reminicent of Camel at their most symphonic. Then we enter into Moody Blues/Barclay James Harvest territory with John Lodge style hushed vocals over those gorgeous oboes. The track also reminds me somewhat of the Paul Cusick track Fade Away in the same symphonic style. Things pick up with drums and bass coming in during the next verse and there is no doubt the influence on this track from the aforementioned bands. Just when you think you have heard it all, in comes a lovely harpsichord which reminds me of Denis Quinn's excellent Open Secret and then a superb guitar solo that John Lees or Justin Hayward would be proud of. The piano comes in again and a final chorus and guitar reprise brings this superb song to a close.
If this is a taster of things to come then I cannot wait. I have heard some of David's older material but this is a big step up to my ears. I cannot thank him enough for allowing me to hear this song. All I can say is that this is shaping up to be something special if this song is an example of what is going on the album."
Thanks Dave from Scotland, we'll continue to do our best.
Cheers;
David Minasian
Monday, December 7, 2009
Early Reviews Are In
I sent the first three tracks from the album to a producer friend of mine a few days ago and got this unsolicited and unexpected response:
"first off, i need to tell you that your work is really great - beautiful stuff you've done here. all the tracks you sent me are very strong.
masquerade - very beautiful orchestral textures, the mellotron is great, vibey vocals, this almost has a sorta kinda pink floyd vibe which i love - also cool melodies and counter melodies, harpsichord is awesome.
chambermaid - also very cool stuff, ethereal, haunting, beautiful, great arpeggio runs, great lead guitar, cool.
panic attack - all great. love the ye olde fairy tale beauty then big rock! this almost has a trace of a vibe like the band muse would do. very cool.
dynamic, visual, regal, delicate, rude, and ultra musical. it's the kind of music that you don't just listen to, but you actually step inside it and experience it."
Whew! Considering that this gentleman has worked with everyone from Rod Stewart to Shania Twain to Motley Crue, this is very encouraging indeed.
Regarding album progress, Blue Rain is nearly in the can. In addition to the previously recorded piano and harpischord, we were able to add mellotron (strings and choir), cello, 12 string guitars, oboe, bass, drums, and vocals this past week. All that remains now is the lead guitar scheduled to be recorded later today. After we've done a couple of mixes (one with vocals and one without), we will forward them to our potential guest vocalist who will decide whether or not to participate. If not, well, I'm afraid then you're stuck with me singing lead... oh, the humanity!
Best;
Dave
"first off, i need to tell you that your work is really great - beautiful stuff you've done here. all the tracks you sent me are very strong.
masquerade - very beautiful orchestral textures, the mellotron is great, vibey vocals, this almost has a sorta kinda pink floyd vibe which i love - also cool melodies and counter melodies, harpsichord is awesome.
chambermaid - also very cool stuff, ethereal, haunting, beautiful, great arpeggio runs, great lead guitar, cool.
panic attack - all great. love the ye olde fairy tale beauty then big rock! this almost has a trace of a vibe like the band muse would do. very cool.
dynamic, visual, regal, delicate, rude, and ultra musical. it's the kind of music that you don't just listen to, but you actually step inside it and experience it."
Whew! Considering that this gentleman has worked with everyone from Rod Stewart to Shania Twain to Motley Crue, this is very encouraging indeed.
Regarding album progress, Blue Rain is nearly in the can. In addition to the previously recorded piano and harpischord, we were able to add mellotron (strings and choir), cello, 12 string guitars, oboe, bass, drums, and vocals this past week. All that remains now is the lead guitar scheduled to be recorded later today. After we've done a couple of mixes (one with vocals and one without), we will forward them to our potential guest vocalist who will decide whether or not to participate. If not, well, I'm afraid then you're stuck with me singing lead... oh, the humanity!
Best;
Dave
Thursday, November 19, 2009
Another One Bites The Dust
My son Justin added a couple of jaw-dropping guitar leads to Panic Attack this week while I provided some acoustic guitar. This brings the total number of songs 'in the can' to two. Now it's onto Blue Rain. Upon completion of this track, I will be submitting it to my mystery celebrity guest vocalist for his consideration.
I've also looked into bringing on a seasoned producer to help with the mixing process. The plan would be to do some final mixes of 4 or 5 of the completed songs sometime next month and use those songs to secure a distribution deal as well as get some samples out there on the net. And while that's going on, I can be finishing up work on the remaining three or four tracks.
Gotta keep moving forward...
If you have any questions, feel free to ask:
davidminasianmusic@gmail.com
Cheers;
Dave
I've also looked into bringing on a seasoned producer to help with the mixing process. The plan would be to do some final mixes of 4 or 5 of the completed songs sometime next month and use those songs to secure a distribution deal as well as get some samples out there on the net. And while that's going on, I can be finishing up work on the remaining three or four tracks.
Gotta keep moving forward...
If you have any questions, feel free to ask:
davidminasianmusic@gmail.com
Cheers;
Dave
Monday, November 9, 2009
Album Progress Update
Hi all:
I thought I would bring those of you who are interested up to date on the progress of the new album. I wrote the final song for the album this last weekend and I think it's going to be a good one. Subject to any last minute changes, here's how things are shaping up...
Track 1: Masquerade. I have yet to receive all the files from Andy Latimer who continues to record parts for this song. Initially clocking in at around 7 minutes, the final version could very well swell past 13 minutes depending on how things end up being put together. Andy's contributions to this track so far are truly goosebump inducing.
Track 2: Chambermaid. An epic 9 minute track with an accesible melody, lush 12 string guitars, pianos, mellotrons, etc. and a long instrumental section that should please most Genesis fans. My son Justin has added a couple of excellent Steve Hackett/Justin Hayward style guitar solos and there's a nice moog solo ala Pete Bardens or a subdued Rick Wakeman from me. Lyrically it's a bit strange - a Tony Banks story song of sorts with a touch of Ian Anderson cleverness. Hopefully you'll find it all somewhat interesting. This one is completely finished, except for the mixing.
Track 3: Panic Attack. A 5 minute instrumental piece featuring cellos, harpsichords, flutes, and mellotrons which takes a sudden left turn about 2 minutes in, and that's where the electric guitars, synths, bass and drums begin to battle it out. Another left turn results in a Renaissance-like passage before an explosive ending. We only need a few guitar overdubs (probably this week) and this one's ready to go.
Track 4: Blue Rain. A lovely 8 minute piano and harpsichord based ballad. Only the basic tracks have been recorded so far. I'm hoping to get a very famous guest vocalist in for this one. It probably won't happen, but you never know.
Track 5: I Thought She Was a Sandwich. An epic 10 minute prog instrumental written back in 1978 and never recorded. It's been sitting in the back of my head all this time - boy am I glad to get rid of it! I'm not sure about the title for this one yet (Can you guess where I got it from? Here's a hint - it's a line from a famous music-oriented movie made during the mid 60's). Only the basic tracks have been recorded - this one needs a lot of work.
Track 6: Untitled. This is the newest song written only a few days ago which replaces one I wasn't too keen about. I still have the lyrics to write. Fans of the Moody Blues' core 7 albums or Kayak's lush ballads (Phantom of the Night, Frozen Flame) should be happy with this one. Maybe it's a bit too similar to Blue Rain, but who cares... I like it.
Track 7: Room With Dark Corners. A short catchy uptempo track in 3/4 and the only song on the album which even remotely has a chance as a single. The classical arrangement will probably keep that from happening though - which should make all you proggers happy.
Track 8: Vampyre. This third and final instrumental piece is a haunting classically based song of mine from 1979 and was originally featured in a much shorter version on my first album. All the usual pianos, harpsichords, mellotrons, flutes, and lead guitars are here in abundance.
And there you have it. Still got a lot left to do. I hope to keep you all updated with the recording process in the days ahead.
Best;
Dave
I thought I would bring those of you who are interested up to date on the progress of the new album. I wrote the final song for the album this last weekend and I think it's going to be a good one. Subject to any last minute changes, here's how things are shaping up...
Track 1: Masquerade. I have yet to receive all the files from Andy Latimer who continues to record parts for this song. Initially clocking in at around 7 minutes, the final version could very well swell past 13 minutes depending on how things end up being put together. Andy's contributions to this track so far are truly goosebump inducing.
Track 2: Chambermaid. An epic 9 minute track with an accesible melody, lush 12 string guitars, pianos, mellotrons, etc. and a long instrumental section that should please most Genesis fans. My son Justin has added a couple of excellent Steve Hackett/Justin Hayward style guitar solos and there's a nice moog solo ala Pete Bardens or a subdued Rick Wakeman from me. Lyrically it's a bit strange - a Tony Banks story song of sorts with a touch of Ian Anderson cleverness. Hopefully you'll find it all somewhat interesting. This one is completely finished, except for the mixing.
Track 3: Panic Attack. A 5 minute instrumental piece featuring cellos, harpsichords, flutes, and mellotrons which takes a sudden left turn about 2 minutes in, and that's where the electric guitars, synths, bass and drums begin to battle it out. Another left turn results in a Renaissance-like passage before an explosive ending. We only need a few guitar overdubs (probably this week) and this one's ready to go.
Track 4: Blue Rain. A lovely 8 minute piano and harpsichord based ballad. Only the basic tracks have been recorded so far. I'm hoping to get a very famous guest vocalist in for this one. It probably won't happen, but you never know.
Track 5: I Thought She Was a Sandwich. An epic 10 minute prog instrumental written back in 1978 and never recorded. It's been sitting in the back of my head all this time - boy am I glad to get rid of it! I'm not sure about the title for this one yet (Can you guess where I got it from? Here's a hint - it's a line from a famous music-oriented movie made during the mid 60's). Only the basic tracks have been recorded - this one needs a lot of work.
Track 6: Untitled. This is the newest song written only a few days ago which replaces one I wasn't too keen about. I still have the lyrics to write. Fans of the Moody Blues' core 7 albums or Kayak's lush ballads (Phantom of the Night, Frozen Flame) should be happy with this one. Maybe it's a bit too similar to Blue Rain, but who cares... I like it.
Track 7: Room With Dark Corners. A short catchy uptempo track in 3/4 and the only song on the album which even remotely has a chance as a single. The classical arrangement will probably keep that from happening though - which should make all you proggers happy.
Track 8: Vampyre. This third and final instrumental piece is a haunting classically based song of mine from 1979 and was originally featured in a much shorter version on my first album. All the usual pianos, harpsichords, mellotrons, flutes, and lead guitars are here in abundance.
And there you have it. Still got a lot left to do. I hope to keep you all updated with the recording process in the days ahead.
Best;
Dave
Monday, October 26, 2009
And So It Begins...
I awoke a few mornings ago to find an email waiting for me. It had come from half way around the world, to California from the UK. The contents of the attachment had me giggling like a schoolgirl.
It was an audio file… a guitar solo to be specific… a long, very special guitar solo. I immediately played it. The sound was unmistakable. Even without the benefit of hearing it with the rest of the instruments, I knew it was perfect.
I then quickly booted up another computer in my studio which held the Pro Tools tracks I had been working on since June and transferred the solo to its appropriate spot nestled among the swirling keyboards, strings, woodwinds, and drums. I hit play… and held my breath…
Pure magic!
The opening track from my new album had reached a whole new level. The song, a classically-tinged progressive rock tour-de-force, was turning out far better than I ever could have anticipated. Featuring piano, harpsichord, mellotron (strings and choir), cello, oboe, classical guitar, 12 string acoustic guitar, bass, drums, and vocals, the track was now highlighted by a powerful, passionate, and melodically stunning extended lead guitar solo from the fingers, mind, and heart of Andrew Latimer, legendary guitarist for the band Camel. Is it as good as Ice or something off Rajaz? Maybe, but I might be biased. You’ll have to be the judge.
I wrote back to Andy saying that I couldn’t thank him enough for contributing to my album. Knowing all that he’s been through in the past few years, I simply could not fathom that he would take the time to record this for me. But he did, and for that I will always be grateful.
But it didn’t end there. Over the next few days I continued to receive more files of additional guitars and even vocals. I was stunned. The song was being transformed into a true epic right in front of me.
I had met Andy and his wife and lyricist Susan Hoover back in 1997 when I was asked to produce and direct Camel’s concert DVD Coming of Age. Since then I have produced an additional six DVD’s for Camel Productions including Curriculum Vitae, Footage I, Footage II, Total Pressure, Moondances, and the as yet unreleased Opening Farewell, an epic concert extravaganza recorded in Santa Cruz, CA during Camel’s Farewell Tour in 2003.
For those who may not know my background, I began classical piano training at the age of five. Later, after hearing the track Land of Make Believe from the Moody Blues on the radio, I became interested in progressive music and began my discovery of bands such as Genesis, Yes, Jethro Tull, Renaissance, Barclay James Harvest, Strawbs, and of course Camel.
In 1978, after deciding to give the music biz a go myself, I began writing and recording demos. But alas, my timing was off. Record companies in LA at that time simply didn’t want prog. So I successfully pursued my other passion – filmmaking. In my spare time, I went ahead and independently recorded the album Tales of Heroes and Lovers. It eventually got released in 1984 and was accompanied by a self-directed music video which actually got MTV airplay.
An ill-fated attempt at recording a pop album for CBS (with ex-Yes and Moody Blues keyboardist Patrick Moraz slotted to produce no less!) in 1986 was nearly completed, then shelved. The 1990’s saw an additional album being recorded with limited release along with a song being placed in a Kris Kristofferson film, and this kept the musical flame flickering… barely.
Finally in June of 2009, with Andy's encouragement, I decided to go ahead with plans to record a new album and was more than delighted when he kindly offered to contribute to the track Masquerade.
I hope to complete the album, titled Random Acts of Beauty, by the end of the year with a release date set for sometime in early 2010. It will include mostly brand new material, and even one or two pieces I wrote back in the pre Tales days!
Here's hoping that the lush, symphonic, melancholic, melodic, classically–tinged progressive rock we create will find a home in some of your hearts. Check...
http://davidminasian.blogspot.com
for more details in the coming weeks and months.
Cheers;
David Minasian
It was an audio file… a guitar solo to be specific… a long, very special guitar solo. I immediately played it. The sound was unmistakable. Even without the benefit of hearing it with the rest of the instruments, I knew it was perfect.
I then quickly booted up another computer in my studio which held the Pro Tools tracks I had been working on since June and transferred the solo to its appropriate spot nestled among the swirling keyboards, strings, woodwinds, and drums. I hit play… and held my breath…
Pure magic!
The opening track from my new album had reached a whole new level. The song, a classically-tinged progressive rock tour-de-force, was turning out far better than I ever could have anticipated. Featuring piano, harpsichord, mellotron (strings and choir), cello, oboe, classical guitar, 12 string acoustic guitar, bass, drums, and vocals, the track was now highlighted by a powerful, passionate, and melodically stunning extended lead guitar solo from the fingers, mind, and heart of Andrew Latimer, legendary guitarist for the band Camel. Is it as good as Ice or something off Rajaz? Maybe, but I might be biased. You’ll have to be the judge.
I wrote back to Andy saying that I couldn’t thank him enough for contributing to my album. Knowing all that he’s been through in the past few years, I simply could not fathom that he would take the time to record this for me. But he did, and for that I will always be grateful.
But it didn’t end there. Over the next few days I continued to receive more files of additional guitars and even vocals. I was stunned. The song was being transformed into a true epic right in front of me.
I had met Andy and his wife and lyricist Susan Hoover back in 1997 when I was asked to produce and direct Camel’s concert DVD Coming of Age. Since then I have produced an additional six DVD’s for Camel Productions including Curriculum Vitae, Footage I, Footage II, Total Pressure, Moondances, and the as yet unreleased Opening Farewell, an epic concert extravaganza recorded in Santa Cruz, CA during Camel’s Farewell Tour in 2003.
For those who may not know my background, I began classical piano training at the age of five. Later, after hearing the track Land of Make Believe from the Moody Blues on the radio, I became interested in progressive music and began my discovery of bands such as Genesis, Yes, Jethro Tull, Renaissance, Barclay James Harvest, Strawbs, and of course Camel.
In 1978, after deciding to give the music biz a go myself, I began writing and recording demos. But alas, my timing was off. Record companies in LA at that time simply didn’t want prog. So I successfully pursued my other passion – filmmaking. In my spare time, I went ahead and independently recorded the album Tales of Heroes and Lovers. It eventually got released in 1984 and was accompanied by a self-directed music video which actually got MTV airplay.
An ill-fated attempt at recording a pop album for CBS (with ex-Yes and Moody Blues keyboardist Patrick Moraz slotted to produce no less!) in 1986 was nearly completed, then shelved. The 1990’s saw an additional album being recorded with limited release along with a song being placed in a Kris Kristofferson film, and this kept the musical flame flickering… barely.
Finally in June of 2009, with Andy's encouragement, I decided to go ahead with plans to record a new album and was more than delighted when he kindly offered to contribute to the track Masquerade.
I hope to complete the album, titled Random Acts of Beauty, by the end of the year with a release date set for sometime in early 2010. It will include mostly brand new material, and even one or two pieces I wrote back in the pre Tales days!
Here's hoping that the lush, symphonic, melancholic, melodic, classically–tinged progressive rock we create will find a home in some of your hearts. Check...
http://davidminasian.blogspot.com
for more details in the coming weeks and months.
Cheers;
David Minasian
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